A I have to confess that I have only seen two films of Ingmar Bergman’s The Seventh Seal and Wild Strawberries. But in the upcoming weeks I would like to better educate and entertain myself. Let’s put this plainly: Bergman was a genius. Despite this he seems to have fallen out of favor; Ebert in re-review of The Seventh Seal, said that the movie is now unfashionable. That particular movie came out in 1957 so there have obviously been fifty years between that film and his death, but he had already been directing for 10 years, and so he had almost a half century of directing. That is more than enough time to become an old fogey and your grandparents’ favorite art house director. Plus some of the aspects of the movie, the whole idea of Death playing chess was consistently parodied and somber monks and hyperpsychoanalytical closeups found their way into Monty Python and the Holy Grail.
Take all of that away and you are present with a masterpiece. A masterpiece that may inspire you to get drunk, but only because of its unrelenting pursuit of the truth that lies at the end of life by a death pursued knight. He tries the church, death and his fellow pilgrims, but Death is catty, and when the knight comes to give his confession, Death is the only one listening. The priests and monks are too busy crying the end of days to listen to one’s confession, too busy demanding repentance to actually listen to it. His friends are not helpful, too bound to the earth, to notice opening graves, or like the pseudo-witch too bound into their minds and the minds of others to offer any revelation.
In the end, the mystery is not something that is knowingly understand and grasped and carried. It is given wordlessly and it is a while before anyone understands what has happened. Death is only delayed, but the delay still has a glint of hope. A knight would make a bad savior.
The other film is Wild Strawberries and is about an old man going to the university to accept an honorary award and along the way he makes peace with his past, daughter in law and son. It is not entirely that simple, but is a gentle masterpiece like a Renoir film.
I would like to write about it more in upcoming days.
(I need to watch it again!)
But please watch these movies. Especially if you’re the person who doesn’t ask questions. Also, if you want to read more about these and other films by Bergman go to Greencine and browse through the post on Bergman.