Monthly Archives: March 2008

The four paintings I put in the student show at my University are over at my blog! Woo hoo! OK, I can’t figure out how to put a link on here so here’s the address (in case you don’t know): www.queenofabbeyroad.blogspot.com

Sorry, but it’s true.

The color blue is something that I pursue, or that pursues me. First, there was the girl in the blue tower. Now, there is the girl with cornflower eyes. I invented these titles, but if you knew them you would understand what I mean.

I am drawn to sadness. With Alms my most prominent memories are the bittersweet and melancholy. I do not understand why. There were happy summertime and winter night memories when, entranced, we would watch the stars and lighting and sit beneath the blue skies for moments of rest. However, all the more vividly comes the memory when one day I sat with Alms and B-man after class at VolState and we had recently learned that I would be moving. B-man speculated that he could marry my sister and then we couldn’t move, and Alms and I both sighed. It was an exhalation of blue essence both wishing for what could be, and understanding that it would be impossible anyway.

I met cornflower eyes in Ukraine, and my first memory is of her crying, and saying that she felt at home, that Ukraine was her actual home. I don’t know if this is still true, but tears coming from the flower fields, magnetizing my conflicted emotions.

I am drawn to innocence. They may all doubt me, but that is their quality. Alms would be less likely to believe me. She has been scarred and pockmarked by life and experience, however she has cultivated an innocent pleasure in the world. You can tell by the way she sniffs at things. She is looking for new smells and every smell is new to her.

Cornflower eyes, her innocence might be naive, but I wouldn’t say so. She may have experienced life through an American cocoon, but she can meet people (and countries) without reservations. It is a wonderful quality.

I don’t mean to compare them, and try to judge them. Rather, I am simply trying to say that these two women share very similar qualities or characteristics, or that I conceive of similar things about them. Perhaps you could meet them and tell me that their Marian blue and their blues (which are my blues chords) do not exist.

Кадинский

A painting by Vassily Kandinsky. Click for a lager image.

To Live and Die In Buckman and Do Graffiti On It Also

Touring around the town tight pants on bikes.
Trimmed lawns and Tibetan prayer flags shown-off,
Reflected in tall towers of windows.
Ticking clock thrusts them towards their true end.
They built a condo on me while I slept.
For real, that’s how I died, at least I was
Asleep. In my time things were different.
Buckman seemed more like a place to come get
A car fixed or a typewriter repaired.
Sure, we partied, but we kept steady jobs
Because our immigrant parents were poor.
As a ghost, I feel I must haunt something.
Black spray-paint on the back of my condo-
Body I joke, LESS HIPSTERS AND MORE CRIME.

1

To reach one hundred

It is no longer possible to crawl, run, walk, hobble or crawl.

To reach one hundred

It is necessary

To live in a room where life comes three times

Every day with pills

For digestion, pain and sleep.

2

Nurses and visitors and well-wishers

Shuffle in and out of the hall

With the same soft steps

That I used

to pace the hall

Cautious not to make echoes

3.

When my time would end

I would walk home (just across the street)

In the early morning

Leaving solitary streetlights

Standing Sentry,

But now TVs stare out at my old room

blinking and winking

4.

To reach one hundred

Is like waiting for a train

When only the steam is visible,

But the tracks rattle anyway,

And I know it will come to take me away.

Moreau1

In the last post I mentioned the Girl in the window. She lived in a blue house on a hill. This is not a romantic image; it is as true and real as my blood. Now she lives in the valley in a smaller house; I’ve yet to see this house. However, it is a lie that the house was nearby. It was located ten miles from where I used to live, but to me she is the nighttime. I memorized poems in the evening sitting alone in my closet, learning lines from Byron. None of Beauty’s daughters were as fair as her, and she walked in beauty as the night, and the night was made for loving (or for me, hidden, furtive longing), but we were to no more go a-roving.

If you were to ask me I would say she was the first person I ever fell in love with, and if you were to ask I would say she never was that way, but hope still burned. Other women (or more accurately for my age, girls) had entranced me, but their magic was often distant as part of their natural state. Trees growing with wide-fanning leaves, unaware of the relief their shade provides. She was very much the same, the same appeal, but towards her I approached. I sought her approval; I read her my poems; I played my brother’s guitar, not to serenade, but to demonstrate that rock and roll moved and guided me. What I wanted more than her approval was her touch. Simple, metaphorical graciousness and the more complex physical apprehension of simply shaking hands. An ordinary act, but seemed to me that with each handshake it was like Pygmalion receiving his marble lady. Once she was a fantasy, but then was recreated by the gods.

Eventually I had to move away. For the longest time she haunted my dreams until my dreams simply faded, and learning Russian captivated me.

Spring is nearly year. I do not have any big problems with Spring, except for for some hay-fever (pollen will kill me; stopping to smell the roses is fatal). However, this time that is sports-wise spring-training, March Madness, and school-wise nearly finals and spring break brings out something gloomy in me. I do not need to find outside sources of darkness; I have enough in me, thank you very much. In Autumn and then in Winter these dark eddies can flow and swirl in the long nighttime, which brings about a weird kind of comfort, but in Lent, and then Spring these recesses are filled with sunlight; sunlight that reveals the oiliness of my emotions, thus exposed they overflow, smudging golden neighbors. This is all kind of rebellious sounding in a purple sort of way.

To restate more directly, I hate the sunlight with Vampiric intensity. Impatiently I wait for sunset. I wear black because I want to. I have never felt at home in sun and earth bent colors, such as green, yellow and orange. The sunlight and its glare play with glasses, infant-like–grabbing and smashing what they don’t understand.

Though I will grudgingly accept the sunlight (I do this every year), and relish the summer, the baking days especially, I cling to the rain clouds and night with my grays and blacks. Sometimes I wear red, but that is something else entirely. (Colors for clothes should be like the ocean.) And if I entrance myself with something that is musically, visually, thematically dark–I do so to find solace (sunshine), as if I were talking with old friends. But people miss something glorious about the night. The summernight is wonderful with the sounds that emerge as I lie in my bed writing, and the nighttime in the Fall and Winter is like wrapping yourself in large blanket-snow-rain-clouds-they will all do. And now the clouds are lace that curtains a close-by home, occasionally sweeping back to proffer a glimpse of a beautiful girl.

As Lord Byron spoke with adoration for the nighttime so much better, as in his poem “She Walks in Beauty”

I

She walks in beauty – like the night
Of cloudless climes and starry skies,
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to the tender light
Which heaven to gaudy day denies.

II

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress
Or softly lightens o’er her face –
Where thoughts serenely sweet express
How pure, how dear their dwelling place.

III

And on that cheek and o’er that brow
So soft, so calm yet eloquent,
The smiles that win, the tints that glow
But tell of days in goodness spent
A mind at peace with all below,
A heart whose love is innocent.

kandid12.jpg

This is an early painting by Vassily Kandinsky.

(Click the picture for a larger image)